Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Adam Willaerts
Elector Palantine

ID: 84415

Adam Willaerts Elector Palantine
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Adam Willaerts Elector Palantine


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Adam Willaerts

(July 21, 1577, London - April 4, 1664, Utrecht ) was a Dutch Golden Age painter. Willaerts (occasionally Willarts, Willers) was born in London to Flemish parents who had fled from Antwerp for religious reasons. By 1585 the family lived in Leiden. From 1597 until his death, Adam lived in Utrecht, where he became a member of the Guild of St. Luke in 1611, and subsequently rose to dean in 1620. His sons Cornelis, Abraham, and Isaac followed in his footsteps. He was known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes. He also painted villages and marine battle scenes.   Related Paintings of Adam Willaerts :. | Mrs. Katharine Matthews | Afterglow (mk44) | La Nymphe de la Foret | Madonna of the Rosary | Christ's Entry into Brussels |
Related Artists:
COTER, Colijn de
Flemish painter (b. ca. 1446, Bruxelles, 1538, Bruxelles)
Johann Jakob Ulrich
impression atist 28 Feb 1798 -- 17 March 1877. Swiss painter. He first studied under his father and then in Paris in 1822 in the studio of Jean-Victor Bertin. As a student he concentrated on unusual lighting effects in his landscape paintings well before they became a hallmark of the precursors of the Impressionists. In 1824 at the Salon in Paris he first saw paintings by Constable. On a trip to Italy in 1828 he did studies en plein air as preliminary sketches for his studio paintings. His early paintings emphasize brilliant colour, low horizons and scientific observation of cloud formations in a manner similar to Constable's studies, which he actually saw on visits to England in 1832 and 1835. Like Eugene Boudin, Ulrich was interested in poetic evocations of sun, water and effects of atmosphere rather than in the precise delineations of topography typical of Swiss art of that period. From 1824 he showed regularly at the Salons in Paris and in 1837 he returned to Zurich. Because the Swiss public was reluctant to accept his freer,
BRAY, Dirck
Dutch painter, Haarlem school (active 1651-1678)






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